Etree - OldNeumanntapr - 112 shows
Last Update: Wednesday May 13, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (24) | EMAIL ]


DISCLAIMER:


NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!


I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.


IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.


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Nothing on this list is for sale!!!! These shows are available for trade ONLY!


                                                             


                                                                                                


I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!


 


Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.


I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      


After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.


I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.


(My masters are listed in the notes column on the far right side.)


If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.


My interests are rather varied, as you will see.


 


CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.


I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.


 


Soundboard and Audience recordings are graded on different criteria.  


An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.


Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)


Sound Quality Ratings:


A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 


Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com


 

View List:
Jump To Artist:

Jackson Browne http://www.jacksonbrowne.com/
  Date Venue - City, State Sound Quality Source Notes Media  
1. 04/06/70 Criterion Recording Studio Demos - Hollywood, CA A- Studio Soundboard Studio Demo Tracks For 1st Album. Minor Hiss FLAC  
2. 03/27/71 The Jabberwocky - Syracuse, NY A Soundboard Reel: Sony TC-355 Reel, Mono, 7 & 1/2 ips [1st Known Recorded Live Performance] Trade CD >FLAC (Level 8) Via xACT 2.28 2 FLAC  
3. 02/26/72 SUNY Stony Brook - Stony Brook, NY A Soundboard Reel   1 CDR  
4. 03/02/72 Academy of Music - Philadelphia, PA A- Unknown Audience ******************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************* FLAC  
5. 03/01/74 Clark University - Worcester, MA A FM Re-Broadcast; WCUW Radio Master Reel Played On Revox Reel Deck >Tascam Cassette (No Dolby) Cass Transferred: Soundforge 4.5 >FLAC (Level 6) w/Linda Ronstadt On Last Track 1 FLAC  
6. 03/02/75 Tulane University - McAlister Auditorium - New Orleans, LA A- Soundboard   0 FLAC  
7. 03/19/75 Calderone Concert Hall - Hempstead, NY A FM Broadcast Total Running Time: 81 minutes 13 seconds =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= FM broadcast > ? > DAT > HDD shared on Lossless Legs as a single flac file by: dathead2 - 10/19/2023 - 487.40 MB rate=44.1kHz source=sbd time=01:21 quality=10 DAT > HDD via dodat (sgi/irix) on Archive/Python 25601-XXX2.75 circa 2009 aiff to wav via sox v13.0.0, wav to flac via flac v1.2.1 all digital work on RedHat Linux Fedora 8 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Flying -M- (Oct. 2023) Repairs: Removed DAT tracking noises D.C. offset correction Many small and a couple large tape dropouts filled-in A couple gaps blended back together mid-side balancing adjustments Extended the applause after 'Fountains Of Sorrow' to smooth out an abrupt stop Applied speed-pitch 'tuning adjustment prescribed by prof. goody' Tracked songs on sector boundaries Download > iZotope RX 8 advanced (repairs) > Adobe Audition 3.0 (pitch-bender) > CD Wave > TLH (flac) Note: Digital tape break-up noises got bad towards the end of 'Walking Slow' and a little damage remains even after these repairs Thanks to Professor Goody for the pitch-speed advice Thanks to etheissen1 for the artwork on this and so many other recordings Finally, thanks to dathead2 for the sharing this complete source. For historical reference only and not intended for resale or any commercial use Support the artists and the venues that host live music Buy the official releases and go to a concert FLAC  
8. 04/03/75 Yale University - New Haven, CT B+ FM Broadcast Trade CD >FLAC (Level 8) Via xACT 2.28, 80 min. 1 FLAC  
9. 10/09/76 Music Hall - Boston, MA A FOB: Sony ECM-99A Stereo Cardioid >Sony TC-153SD (microphone hand-held ) Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Master Cassette > DAT > CD > EAC > FLAC Dolby B decoded, no processing or EQ Total Time - 88:51 Recorded and transferred by Steve Hopkins 0 FLAC  
10. 02/22/78 Municipal Auditorium - Nashville, TN A Soundboard; Cassette 4 >WAV >FLAC (Missing: The Load Out >Stay, The Road And The Sky) Maxell XLIIS 90 Cass 4 Transferred: Sony TC-D5M >Tascam DR-100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Level Balancing, Minor Edits [Tape Flip], Down Sample To 16bit/44.1kHz) >Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 4th Gen Cassette From The Collection Of OldNeumanntapr Recorded By: Unknown Transferred, FLAC'd And Tagged By OldNeumanntapr FLAC  
11. 06/08/78 Terrace Theater - Long Beach, CA A- AKG 451E CK1 Cardioids >Nakamichi 550 (Mike Millard) JEMS 2019 TRANSFER: first-generation cassettes made by Mike Millard for Jim R > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering > Peak Pro 6 (post production) > xACT 2.39 > FLAC 0 FLAC  
12. 06/30/80 Summerfest - Milwaukee, WI B+ Unknown Audience Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH 0 FLAC  
13. 11/13/80 Festival Hall - Osaka, Japan   Soundboard Edited Between Songs 0 FLAC  
14. 11/17/80 Nagoya Koseinenkin Hall - Nagoya, Japan A Soundboard   2 FLAC  
15. 07/07/82 Festhalle - Frankfurt, West Germany A- Unknown Audience (No Supplied Text File) 0 FLAC  
16. 07/13/82 Hammersmith Odeon - London, England A Sopny ECM 150 Electret Condensers >Sony TC-D5M   0 FLAC  
17. 07/15/82 Hammersmith Odeon - London, UK A- Audience; Cass Master > CDR > EAC > HD > TLH > FLAC ******************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************** FLAC  
18. 07/26/82 Stadio Comunale - Pistoia, Italy A- Unknown Audience Transfer: .wav file > Peak Proc 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC Trade FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 3.4 db, Remove And Or Minimize Several Microphone 'Bumps', Re-Track On Original Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
19. 07/27/83 The Centrum - Worcester, MA B+ Unknown Audience ************************************************************************************************** FLAC >WAV >Audacity (Down Sample To 16bit/44.1kHz, EQ) >Fix SBE's >FLAC + Tags Via xACT 2.51 By OldNeumanntapr ************************************************************************************************** FLAC  
20. 08/03/83 The Spectrum - Philadelphia, PA B+ Sony ECM-929LT Stereo Cardioid >Sony WM-D6C (TDK MA Metal Cass) A Litle 'Boomy' Sounding. Missing Last Song. 0 FLAC  
21. 06/24/86 Saratoga Performing Arts Center - Saratoga Springs, NY A- Soundboard; Second Gen Cassette   0 FLAC  
22. 08/22/86 Shoreline Amphitheatre - Mountain View, CA A+ Westwood One 1/4" Pre-FM Master Reel >Baked Reels >DAT >FLAC Sony 7040 DAT machine ( 16b 48hz AES) > HOSA Converter (SPDIF) > Tascam DR-680 (16b) Split by Goldwave. FLAC >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.44 By OldNeumanntapr 0 FLAC  
23. 08/09/89 California Mid-State Fair - Paso Robles, CA B+ Audio Technica AT-801 Omnis >Sony TC-D5 Cassette Master >CDR:
(Nakamichi CR-3A >Luxman EQ G111 >M-Audio 2496 >CoolEdit >CdrCue >Cdrwin) Trade CDs Extracted To WAV Via xACT 2.37 >Audacity (Join Files To A Single-Track File, Amplify, Track Splits [Done On Original Track Marks]) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded/Transferred By Lee Extracted, FLAC’d, & Tagged By OldNeumanntapr ('Mercury Blues' Possibly Spliced In As Filler From El Rayo-X Opening Set) 2 FLAC  
24. 08/19/89 Champs De Brionne Winery - George, WA A FOB: Sony ECM-909 Stereo Cardioid >Sony WM-D6C Cass Master >Cass I >CDR >FLAC XLIIS 1st Gen Transferred Via: Sony TC-D5M >HHb CDR 800 PRO CD Masters Extracted With xACT 2.24 > WAV >FLAC (Level 8) + Tags Via xACT 2.37 Recorded By Jason Sherrett Transferred, FLAC’s, & Tagged By OldNeumanntapr 2 FLAC  
25. 08/25/89 Shoreline Amphitheatre - Mountain View, CA A Pre-FM vinyls > ? > HDD > WAV > Audacity > TLH > FLAC (L8) Westwood One Superstars In Concert CO 89-27 (commercials deleted) For broadcast the week of September 28 - October 1, 1989 0 FLAC  
26. 06/01/90 Arlington Theatre - Santa Barbara, CA A- FOB: Cassette Master >Cassette 1 >WAV >FLAC XLII 1st Gen Transferred Via: Sony TC-D5M >Tascam DR-100mkII (24bit/48kHz WAV >Audacity (Amplify Entire Show By 4.7db, Re-Track On Original Index Marks, Down Sample To 16 bit / 44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 Recorded By Rick Williams Transferred, Audacity, FLAC, & Tags By OldNeumanntapr) 1 FLAC  
27. 07/15/90 Berkshire Performing Arts Center - Lenox, MA A+ Digital Soundboard; Sony TCD-D10 DAT Lineage: Sony TCD-D10 Dat Master > Panasonic 3700 (clone). Transfer (grner1): Panasonic 3700 (SPDIF digital output) > Pro Tools (minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > .wav files > xACT (tagged Flac level 8 files). FLAC  
28. 11/16/90 Shrine Auditorium - Los Angeles, CA A FOB; Audio Technica AT-853a Cardioids->Aiwa HD-X1 DAT->VHS 1->CDR->FLAC Christic Institute Benefit Trade VHS Transferred: Mitsubishi HS-U59 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 2.28, (Recorded By John Lech) (VHS I >FLAC Transferred By OldNeumanntapr) w/Bonnie Raitt) 1 FLAC  
29. 11/16/90 Shrine Auditorium - Los Angeles, CA   AKG 451E's (CK-1 Cardioid Capsules) > Nakamichi 550 Cassette Recorder (Christic Institute Benefit ) Recorded By Mike Millard. Transfer: Mike Millard Master Cassette > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC ************************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************** FLAC  
30. 11/17/90 Shrine Auditorium - Los Angeles, CA A+ Digital Soundboard Christic Institute Benefit Concert. JEMS Archive JEMS 2018 Transfer: Master Soundboard DAT > Fostex D-5 > Sound Devices USBPre2 > Audacity 2.0 > iZotope RX6 and Ozone 6 mastering > Peak Pro 6 (post production) > xACT 2.39 > FLAC 0 FLAC  
31. 09/19/92 County Bowl - Santa Barbara, CA B+ 4th Row Audience Cassette Master (Wonder Deck)->CDR XLII 60 Master Transferred to CDR Via: Sony TC-D5M->HHb CDR 800 PRO (Music Is Clear But Some Crowd Noise) 1 CDR  
32. 09/20/92 Flag Is Up Farms - Solvang, CA B+ Front Row, Right; Nakamichi CM-300 CP-1 Cardioids >Sony WM-D6C XLIIS Cass Master (No NR) >CDR >FLAC (Recorded, Transferred, FLAC’d & Tagged By OldNeumanntapr) Microphones Kept Low To Avoid Detection. XLIIS Cassette Master Transferred: Sony TC-D5M >EQ>HHb CDR 800 PRO CD Master Extracted With xACT 2.37 >WAV >FLAC (Level 8) + Tags 1 FLAC  
33. 10/25/93 Teatro Nazionale - Milano, Italy A- Audience; Unknown Microphone >Unknown Minidisc Recorder WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 8db, Re-Track On Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 0 FLAC  
34. 10/28/93 Musikhalle - Hamburg, Germany A+ FM Broadcast   0 FLAC  
35. ??/??/93 Various - Various, Unknown A+ Digital Soundboard >Bootleg CD "Live On Tour '93" >CDR >FLAC Recorded From Various Unknown Venues / Locations During The 1993 Tour, Bootleg CD Copied: Marantz CD Player >S/PDIF >HHb CDR 800 PRO CDR Master >FLAC (Level 8) Via xACT 2.28 1 FLAC  
36. 06/14/94 Royal Albert Hall - London, England A Sonic Studio Mics >Sony TCD-D3 DAT (16/48) ile cloned in Microtrack using a Tascam Dat deck>GOldwave tracking> TLH8 Produced by Dolphinsmile for the Dolphinsmile Archive ************************************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, De-Amplify Applause Spikes, Amplify Entire Recording By 2.8db, Re-Track On Original Index Points, Down Sample To 16bit/44.1kHz) >Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************************** FLAC  
37. 08/25/94 Hilton Amphitheater - Reno, NV A Sonic Studio Microphones (Unknown Model) >DAT (Jerry Moore's Copy) DAT Master > Analog Out > Source DAT Sony PCM-R500 > Tascam HD-P2 > Adobe Audition cs6 > TLH fFLAC Tranfer/Seed By Rob Berger June 2013 0 FLAC  
38. 08/31/94 Universal Amphitheater - Los Angeles, CA A- Unknown Audience   0 FLAC  
39. 09/03/94 Memorial Stadium - Bumbershoot Main Stage - Seattle, WA A FOB: Sonic Studios Microphones (Unknown Model) >Sony TCD-D7 DAT   0 FLAC  
40. 02/24/96 Opera House - Spokane, WA A+ Sonic Studios Microphones (Unknown Model) >DAT   0 FLAC  
41. 03/05/96 Centennial Hall, University of Arizona - Tucson, AZ A Digital Soundboard Trade DAT Transferred: Tacam DA-P1 >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) Via xACT 2.28 2 FLAC  
42. 03/29/96 Bryce Jordan Center - University Park, PA A Schoeps MK4's >DAT ************************************************************************************************** FLAC >WAV >Audacity (Combine tracks To A One-Track File, De-Amplify Countless End-Of-Song Close-Proximity Hand Claps / Audience Yells, Amplify Entire Recording By 1.0db, Re-Track On Original Index Points Deleting 'Banter' Indexes) >Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************************** FLAC  
43. 04/17/96 Aichi Kinrou Kaikan - Nagoya, Japan A Sonic Studios DSM-6Ps >Sony TCD-D7   0 FLAC  
44. 08/04/96 Saratoga Performing Arts Center - Saratoga, NY A- Sennheiser MKE-2002s >Denon DTR-80P (16bit/48khz) Transferred by stevemtl: DAT > Sony R500 > Roland R44 (16/48)> SD chip > HD Mastered and posted to DIME on 2019-07-26 by stevemtl: HD > Soundforge (L2 dither > 24/48: trim, edit, fades; anti-alias filter and downsample > 24/44.1, L2 dither >16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent) > DIME Trade FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Re-Track [Omitting 'Talk' Tracks']) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
45. 10/13/96 Avila Beach Resort - Avila Beach, CA A Nyquist Omnis->Sony TCD-D7 (Recorded By OldNeumanntapr) Digital Audience Master, Front Of Board, 8th Row Center (Walter Capps For Congress Benefit. See also 'Bonnie Raitt' & 'Don Henley'.) [DAT Master Transferred Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o] 1 FLAC  
46. 09/13/97 Sheridan Opera House - Telluride, CO A+ Digital Soundboard: DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
47. 02/15/98 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA A Nyquist Omnis->Sony TCD-D7 DAT (Recorded By OldNeumanntapr) Digital Audience Master, FOB, Row D, Seat # 35, (Lois Capps For Congress Benefit) DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Master >FLAC (Level 8) Via xACT 1 FLAC  
48. 04/03/98 Mielparque Hall - Fukuoka, Japan A Unknown Digital Audience Source: DAT master (16bits/48khz) > ? clone > my clone Transferred by stevemtl: DAT > Sony PCM-R500 > Roland R44 > SD chip > HD Mastered by stevemtl: HD > Sound Forge (L2 dither > 24/48: edit, L2 talk and applause level adjust, fades) > r8brain (vhq downsample > 24/44.1) > Sound Forge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8) ************************************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Re-Track On Original Index Points But Remove Extraneous Indexes For 'Talk' Tracks And 'Applause') >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************************** FLAC  
49. 04/11/00 Broward Center for the Performing Arts - Fort Lauderdale, FL A Sennheiser 2002s >Sony TCD-D8 cloned into Microtrack using a Tascam Dat player>Goldwave tracking>TLH8 Dolphinsmile Dat master Dolphinsmile Archive Trade FLAC >WAV >Audacity (Combine Files To A One-Track File, Dynamic Range Compressor, De-Amplify End-Of-Song Applause / Crowd Noise, Re-Track On Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
50. 09/07/00 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA A Neumann AK-40's (x/y)->LC3->Beyer MV-100->Sony TCD-D7 (Recorded/Transferred By OldNeumanntapr) Front Of Board, 16th Row, Mid Center. Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO CD Master Extracted With xACT 2.24 >WAV >FLAC (Level 8) 2 FLAC  
51. 05/11/02 Memorial Auditorium - Burlington, VT A DPA (B&K) 4022s (in hat) > Sound Devices MP-2 > Sony TCD-D8 DAT Recorded By Scott Brown 0 FLAC  
52. 05/18/02 Meyerhoff Symphony Hall - Baltimore, MD A+ Digital Soundboard / Audience Matrix: DAT >CDR >WAV >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
53. 05/25/02 Ruth Eckerd Hall - Clearwater, FL B+ ALD Soundboard Prevalent Hiss. Sourced From Analog Cassette? One Static Blast In Track One. 0 FLAC  
54. 08/19/02 Red Rocks Ampitheatre - Morrison, CO A- AKG CK 91 Cardioids >JK Labs ECMS Active Cables >Sony TCD-D8 (Includes Soundcheck. Opened For Tom Petty.) Some Crowd Noise. Mastered to CD using Cool Edit Pro & WaveLab ********************************************************************** Trade FLACs >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr ********************************************************************** 0 FLAC  
55. 02/21/03 Palais Theatre - Melbourne, Australia A SP-CMC-9 Hyper Cardioids >SP Battery Box >Aiwa AM-F70 Minidisc Recorder Trade FLACS >WAV >Audacity (Combine Tracks To A One-Track File, Edit Out And Repair Hundreds Of End-Of Song Close-Proximity Hand Claps, Amplify By .5 db, Re-Track On Original Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
56. 04/03/03 Sala Santa Cecilia Auditorium, Parco Della Musica - Rome, Italy A Sony ECM-717 Stereo Cardioid > Sony MZ-R700 Mini Disc   0 FLAC  
57. 11/01/03 Grand Cayman Ballroom - Atlantic City, NJ A Unknown Digital Audience   0 FLAC  
58. 03/28/04 Lobero Theatre - Santa Barbara, CA A FOB; Unknown Digital Audience Trade CDs >FLAC (Level 8) Via xACT 2.44 2 FLAC  
59. 06/22/04 Music City Texas Theatre - Linden, TX A Unknown Digital Audience Reworked Using iZotope Rx6 Advanced (Flying -M-) March 2019 WAV >Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
60. 08/20/04 Will Geer Theatricum Botanicum - Topanga Canyon, CA A- Unknown Digital Audience ('For Everyman'; Music & Discussion) Trade CDs >FLAC (Level 8) Via xACT 2.47 2 FLAC  
61. 10/13/04 Continental Airlines Arena - East Rutherford, NJ A Neumann KM-140’s >Sonosax SX-M2 >SBM-1 >Sony PCM-M1 Trade CD >FLAC (Level 8) Via xACT 2.28 1 FLAC  
62. 11/29/04 Saschall - Firenze, Italy A Unknown Digital Audience   0 FLAC  
63. 03/27/09 Sheffield City Hall - Yorkshire, U.K. A- Sony ECM-DS70P >Edirol R-09   FLAC  
64. 03/30/09 Manchester Apollo - Manchester, England A- Edirol R-09HR w/Internal Cardioids ************************************************************ FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************************ FLAC  
65. 04/15/09 Arena Theater - Berlin, Germany A Schoeps MK4s   0 FLAC  
66. 03/08/10 Grand Qube Osaka - Osaka, Japan A- ATA Microphone > Edirol R-09HR (44.1KHz/16bit, limiter on, Low cut ferq. 100Hz) > HDD (USB2) editing with SoundEngine 4.52 > Trader's Little Helper (level 6, verify, align on sector boundaries) *************************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr *************************************************************************** FLAC  
67. 02/23/11 Civic Auditorium - Santa Cruz, CA A+ Schoeps CCM4 >Sonosax SX-M2 >Edirol R-09 (24 bit/48k) Transferred: Pro Tools >16 bit/44.1k >xACT 2.07 >FLAC (Level 8) 2 FLAC  
68. 04/03/11 Thunder Bay Community Auditorium - Thunder Bay, ON A Core Sound Binaural Microphones -> Battery Box -> Olympus LS-10 (16bit/ 44.1kHz) SD card -> Wave Pad -> CD Wave Editor -> Traders Little Helper -> Flac *********************************************************************** Trade FLACs >WAV (Change File Names To Reflect Etree Standards) >Audacity (De-Amplify Each Track By .2db, De-Amplify End-Of-Song Crowd Noise By 2.5db, Selective Removal And Repair Of Annoying Audience Hand Claps) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr *********************************************************************** 0 FLAC  
69. 11/12/11 Fox Theater - Hanford, CA A+ 2x IEM > Sound Devices 744 (24bit/96kHz) Taper: Hoserama -- Mixed and Mastered by Hoserama Mixed in Neundo 4, using extra waves & izotope plug-ins Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix Version 6 -- *********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************** FLAC  
70. 05/12/13 Coventry Grove - Kensington, CA A CA-14 Cardioids > SP-SPSB-11 Slimline Battery Module (16 Hz, no bass roll-off) > mic-in jack of Sony PCM-M10 > Sound Forge 7   0 FLAC  
71. 09/29/13 Craneway Pavilion - Richmond, CA A* OKM II Rock Studio/Klassik > A3 BB > Mic-In Jack Of Sony PCM-M10 (24bit/44.1khz) > Sound Forge 7 (Only To Trim Pre And Post-Gig Chatter) *A Quality Sound For The Most Part, But Recording Is Affected By Audience Phasing Mid-Way Through Set From People Standing In Front Of Taper. Recorded Front Row, Left Of The Left Speaker Stack, But Directly In Line With The Leftmost Stage Speaker. 0 FLAC  
72. 07/13/14 Meijer Gardens Amphitheatre - Grand Rapids, MI A Church Audio cardioids ->SP battery box->Sony PCM-M10 (24bit/48kHz) Audacity (fades,levels,16/44) -> CD Wave -> flac ***************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ***************************************************************** FLAC  
73. 10/25/14 Arlington Theater - Santa Barbara, CA A+ Matrix: Schoeps MK-4's + Sennheiser 'G' Range IEMs (3 Feeds) >Sony PCM-M10 & Zoom H6 Tracks Time Alignment: Audition CC Mixed: Reaper File Split: Goldwave (Volume Boost > Dither to 16b) Flac Conversion: Media Monkey (Flac Transfer L8) Location: Left Center (Recorded by Scooter123) Trade FLACS >WAV (Change File Names To Reflect Etree Standards, FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
74. 11/17/14 Symphony Hall - Birmingham, UK NR Zoom H2N w/Internal Mics (Recorded/Transferred By Paul Green) 0 FLAC  
75. 11/20/14 The Sage - Gateshead, UK A+ SP-CMC-2 >Sony PCM-M10 AWESOME SOUND!!!!!!! 0 FLAC  
76. 08/15/15 Greek Theater - Berkeley, CA A Schoeps CCM4ís > Tinybox > Sony PCM-M10 16/44.1 Recorded from Section C by a taper who prefers to remain anonymous 0 FLAC  
77. 09/15/15 Capitol Theatre - Port Chester, NY A+ Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .25 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Minor De-Amplification Of Select Drum Spikes, Amplify Entire Recording By 1.2db, Downsample To 16bit/44.1kHz, Index Tracks, Fades) >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr FLAC  
78. 09/16/15 Capitol Theatre - Port Chester, NY A+ Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .25 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Minor De-Amplification Of Select Drum Spikes, Amplify Entire Recording By 2.4db, Downsample To 16bit/44.1kHz, Index Tracks, Fades) Fix SBEs >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr FLAC  
79. 06/06/16 American Music Theater - Lancaster, PA A FOB: Schoeps MK6 (Cardioid) >Active Cables >nBox Platinum >Rolland R-05 (24bit/44.1khz) Recorded 8th Row Center By Ed Tyre. Adobe Audition 7 > Ozone 5 > xACT 2.38 > FLAC (Level 16) 0 FLAC  
80. 04/27/17 The Centre for Performing Arts in Vancouver - Vancouver, BC A+ Beyerdynamics CK930 (Cardioids) > Naiant IPA > Roland R-05 (24 bit/48 kHz) Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr FLAC  
81. 01/18/18 Ruth Eckerd Hall - Clearwater, FL A FOB: Schoeps MK6 (Cardioid) >Actives >Baby Nbox >Edirol R05 (24bit/44.1khz) Recorded By Ed Tyre, 5th Row Right Of Center, Adobe Audition >Ozone 6 >xACT 2.41 >FLAC 16bit/44.1khz 0 FLAC  
82. 06/24/19 Beacon Theater - New York, NY A Church Audio 14 Cardioids >Sony PCM-M10 (24bit/44.1khz) Audacity (amplify, tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) 0 FLAC  
83. 07/03/19 Filene Center at Wolf Trap - Vienna, VA A Audio Reality Microphones >Battery Box >Edirol R-09HR (24bit/96khz) PC > Audacity 2.3.2 24.96 FLAC8 > FooBar2000 (16/44.1 FLAC8) 0 FLAC  
84. 08/23/19 Venetian Theatre - Las Vegas, NV A+ Multiple Source IEM (Xavel Master) Trade FLACs >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Vis xACT 2.48 By OldNeumanntapr 0 FLAC  
85. 08/24/19 Venetian Theater - Las Vegas, NV A+ Multiple Source IEM (Xavel Master) Trade FLACs >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Vis xACT 2.48 By OldNeumanntapr 0 FLAC  
86. 09/05/19 Christopher Cohan Performing Arts Center - San Luis Obispo, CA A Tascam DR40 w/Internal Cardioids (24bit/48kHz) Recorded By Rick Williams Mastered by Flying -M- Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) :(Second Set opener "For Everyman" starts "in-progress" and is missing the first word "Everybody"): Some audience segments have been shortened to remove loud talking or loud handling noises. Being a quiet acoustic show there were a lot of distracting noises - squeaky chairs, clunks, clicks, coughing, woo-hooing, loud clapping and loud whistling. Much effort was expended to reduce all of these noises and make this very easy to listen too with the volume up and the headphones on. iZotope RX is incredible software but it took me a few months to prepare this one and I bet I made over a thousand edits cleaning it up. Har-Bal adjusted the frequency balance to flatten the big mid-range hump and that corrected the hollow feeling of the raw recording. Sounds really good and you won't notice the "repairs" which is what counts and these other details are just what it took to get there. 0 FLAC  
87. 09/10/21 Oxbow River Stage - Napa, CA A 7th Row Dead Center; Countryman B3 Omnis plug in power >Tascam DR-2D (24 Bit 48kHz) WAV Files Sent Privately By Daspy (Recorded By Daspyknows, Post Production By Hoserama) Processed Using Soundforge 13, Downsampled To 16bit 44.1kHz [WAV >FLAC (Level 8) + Tags Via xACT 2.50) By OldNeumanntapr] FLAC  
88. 09/17/21 Celebrity Theatre - Phoenix, AZ A Core Sound Binurals > Battery Box > Edirol R-07 @ 24/44.1 kHz > USB > Acer Aspire E15 > WAV > Audacity (Tracking) > xACT (FLAC'ing, Checksums) ****************************************************************************** FLAC >WAV >Audacity (Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ****************************************************************************** FLAC  
89. 09/18/21 Celebrity Theater - Phoenix, AZ A Core Sound Binurals >CSB Battery Box > Edirol R-07 @ 24/44.1 kHz > USB > Acer Aspire E15 > WAV > Audacity (Tracking) > xACT (FLAC'ing, Checksums) *********************************************************************** FLAC >WAV >Audacity (Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************** FLAC  
90. 09/20/21 Kiva Auditorium - Albuquerque, NM A Core Sound Binurals >Battery Box > Edirol R-07 @ 24/44.1 kHz > USB > Acer Aspire E15 > WAV > Audacity (Tracking) > xACT (FLAC'ing, Checksums) *********************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 5.8 db, Downsample To 16bit/44.1kHz, Re-Track On Similar Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************************** FLAC  

Jackson Browne & Friends  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 10/27/79 Arlington Theater - Santa Barbara, CA A- Unknown Audience Trade CDs >FLAC (Level 8) Via xACT 2.44 2 FLAC  
2. 10/10/92 Shoreline Amphitheater - Mountain View, CA A- Nakamichi CM-300s w/CP-2 Omnis >Sony WM-D6C Cassette Master XLIIS Master Transferred: Sony TC-D5M >Tascam DR100mkII (24bit/48khz) (Recorded From Lawn Repeater Stacks, Left) WAV >iZotope RX4 advanced & Har-Bal 3.0 Frequencies balanced for additional clarity and some compression to bring the recording some additional presence. WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.37 (Recorded, Transferred, Audacity + FLAC & Tags By OldNeumanntapr) (iZotope/Har-Bal Post Production by Flying -M-) 1 FLAC  
3. 03/15/98 Santa Monica Civic Auditorium - Santa Monica, CA A 11th Row, Center; Nyquist Omnis->Sony TCD-D7 Master DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >WAV Via xACT 2.37 >Audacity (Track Splits, Minor Edits & Normalize) >FLAC (Level 8) Via xACT 2.37 Benefit for Jorge Calderone's wife Recorded And Transferred By OldNeumanntapr 3 FLAC  
4. 01/30/17 Grammy Museum - Los Angeles, CA A Audio Technica AT-943 Cardioids >SP-SPSB-11 (battery box) >Sony PCM M10 (24bit/48khz) (Recorded & Processed By Flying M) Audio Technica at-943 microphone pair > SP-SPSB-11 (battery box) > Sony pcm M-10 @ 24-48 iZotope RX4 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) Total Running Time: 71 minutes and 28 seconds 0 FLAC  

Jackson Browne & Bonnie Raitt  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/21/98 Civic Auditorium - Santa Cruz, CA A FOB: Neumann KM254s > DAT (Either Sony D8 Or Tascam DA-P1) Recorded And Mastered By Sandy A. (aka Bigfoot). Transfer: Digital Out > Sek'd Prodif Plus > Sound Forge > CD Architect > CDR CDRs Made By Sandy A. Given To RH > EAC By Easy Ed > .WAV Files > FLAC (Level 8 Align On Sector Boundaries), Trader's Little Helper 0 FLAC  

Jackson Browne & David Lindley  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/15/73 The Main Point - Bryn Mawr, PA A 3rd Gen Soundboard Reel WMMR Master reels (7½ ips ½ Track) -> WBCN Station Copy (7½ ips ½ Track) -> [Maxell UD35-90 7 1/2" reel (Revox B-77) 7 1/2ips 1/4 track] --> Tascam CD-RW2000 --> EAC --> CDWAV --> FLAC [Also Circulates As 8/15/72] 1 FLAC  
2. 05/19/87 Santa Cruz Civic - Santa Cruz, CA A+ PCM Digital Soundboard; PCM >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
3. 03/21/97 The Garage - Bergen, Norway A+ Digital Soundboard, Sony TCD-D10 Lineage: Sony TCD-D10 Dat Master > Panasonic 3700 (clone). Transfer (grner1 - 2017-07-03): > Panasonic 3700 (SPDIF digital output) > Pro Tools (minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > .wav files > xACT (tagged Flac level 8 files). FLAC  
4. 03/30/97 Chassé Theater - Breda, Netherlands A+ Digital Soundboard; Sony TCD-D10 DAT 1st Set Only. 1st generation Dolby B encoded Maxell UDXLII90 cassette. Transfer (grner1 2023-03-29): Nakamichi Dragon (Dolby B decoded) > Sound Devices MixPre-6 II @ 32bit(float)/96kHz > Pro Tools (normalize, minor seamless fixes, tracking on sector boundaries and down-sampling - no EQ or DNR) > .wav files > xACT (tagged Flac level 8 files). FLAC  
5. 04/09/97 Teatro Tenda - Brescia, Italy A+ Digital Soundboard; Sony TCD-D10 DAT Master >Panasonic SV-3700 Clone Transfer (grner1 - 2017-07-03): Panasonic 3700 (SPDIF digital output) > Pro Tools (minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > .wav files > xACT (tagged Flac level 8 files). ************************************************************************ FLAC Tags [Amended] Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
6. 04/11/97 La Nova Jazz Cava - Terassa, Spain A+ Digital Soundboard; Sony TCD-D10 DAT >Panasonic SV-3700 DAT Clone Transfer (grner1 - 2017-07-03): Panasonic 3700 (SPDIF digital output) > Pro Tools (minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > .wav files > xACT (tagged Flac level 8 files). FLAC  
7. 03/29/06 Sheffield City Hall - Sheffield, England A Digital Audience; Audio Technica AT-800 series->Sony PCM-M1 DAT->CDR->FLAC Trade CDs >FLAC (Level 8) Via xACT 2.28 2 FLAC  
8. 06/09/10 Heineken Music Hall - Amsterdam, The Netherlands A- Church Audio Omnis >9 Volt DC Battery Box >Edirol R09 Taper's Remarks: There was a +/- 5 meter space between row 1 and the stage. At the end of the concert, between "TLS" and "ROE", people from the back were coming to the front, filling that space and were having a Party, blocking the (Vocals)Fill-in speakers at the Stage-front. So for the last 10 minutes of the 2,5 hour; "Maybe the vocals are sometimes a bit far away in the mix, but the Party was GREAT" On the good side; almost no nearby shouting or talking during the other 19 songs :-) 0 FLAC  
9. 09/12/10 Wolf Trap - Vienna, VA A+ Soundboard; ALD w/Acoustic Jackson Browne & David Lindley Set FLAC  
10. 09/15/10 Beacon Theater - New York, NY A 10th Row, Just Left Of Center; Core Sound Cardioids >Sony PCM- D50 (24 bit/48 k) Equals Three Discs (165 Minutes Total) 1 FLAC  
11. 09/24/10 Riverside Theater - Milwaukee, WI A Unknown Audience Transfer: Dbpoweramp rip accurate >> Stamp ID3 Tag Editor > TLH checksums & torrent. 0 FLAC  

Jackson Browne & Jonathan Wilson  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/22/17 Moroccan Lounge - Los Angeles, CA A Schoeps MK4s >NBox >Tascam DR-2D (24bit/48kHz) Recorded, And Processed, By DaspyKnows, Dead Center 30ft From Stage. Processed Using Soundforge 11, Resample To 16bit/44.1kHz. WAV >FLAC (Level 8) Via xACT 2.48 By OldNeumanntapr. WAV Files Sent Privately By Daspy. 0 FLAC  

Jackson Browne, Shawn Colvin, Bruce Hornsby & Bonnie Raitt  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/05/99 Lakewood Amphitheater - Atlanta, GA A Unknown Digital Audience   FLAC  
2. 09/15/99 Santa Barbara County Bowl - Santa Barbara, CA A+ Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >Sony TCD-D7 (Recorded, Transferred, & FLAC'd By OldNeumanntapr) Digital Audience Master; 18th Row, Left; DAT >CD Transferred Via Tascam DA-P1 >S/PDIF Coax >HHb CDR 800 PRO. [CD Masters Transferred With xACT 2.24 >WAV >FLAC] 3 FLAC  
3. 09/18/99 Concord Pavilion - Concord, CA A Unknown DAUD (Missing David Lindley & Wally Ingram's Opening Set) 3 FLAC  
4. 09/18/99 Concord Pavilion - Concord, CA A+ 2 modified Neumann KM 254 Microphones > DAT (Either Sony TCD-D8 Or Tascam DA-P1) (INCLUDES Lindley Set) ~ A Bigfoot Recording ~ recorded and mastered to cdr by Sandy - aka "Bigfoot" Lineage is a guess based on other verified lineage Bigfoot recordings from around the same time period. Transfer: digital out > Sek'd Prodif Plus > Sound Forge > CD Architect > cdr cdrs made by Sandy given to D5scott > EAC > .wav files > Trader's Little Helper > flac files 0 FLAC  
5. 09/25/99 The Gorge Ampitheatre - George, WA A+ Unknown Digital Audience Last Night Of Tour 4 FLAC  

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